Uzbekistan’s MTRK directory separates central thematic channels from named regional services. Its Madaniyat va ma’rifat profile describes cultural and educational work, while O‘zbekiston tarixi has a separately stated historical focus. These distinctions help a viewer approach national cultural subjects without losing the regional identity attached to a particular service.
At a glance
| Reference | Detail |
|---|---|
| Directory scope | Central thematic and regional services |
| Cultural service | Madaniyat va ma’rifat |
| Named cultural subjects | Maqom, baxshi performance and handicrafts |
| History service | O‘zbekiston tarixi |
A thematic channel name identifies an editorial focus
The Madaniyat va ma’rifat profile describes literature, theater, visual art and the work of cultural figures. It also names maqom, baxshi performance and handicrafts among the traditions it aims to present. These are specific subject areas rather than an undifferentiated entertainment label.
For a viewer interested in performance, the useful question may concern the relationship between the work and the person presenting it. For a handicraft subject, attention may instead turn to materials, process and the maker’s account. The shared cultural heading leaves room for quite different kinds of television.
Preservation and a current broadcast are different layers
The profile describes selecting and retaining cultural television material in an Oltin fond collection. That preservation purpose matters because an older recorded performance can be valuable for reasons other than being newly produced.
A historical recording, a contemporary discussion of it and a new performance should keep their separate dates and credits. The work’s cultural significance does not make all versions identical. When sharing a reference, retain the performer or author and the recording context wherever the item supplies them.
O‘zbekiston tarixi has a distinct historical remit
MTRK’s history-channel profile concerns programs and films about Uzbekistan’s past and its scholarly and cultural contributions. A historical narrative differs from the presentation of a performance or an interview with a contemporary artist.
An account of the past can organize evidence, interpretation and dramatic illustration in different ways. Keep those elements distinguishable while watching. A channel’s stated remit identifies what it sets out to cover; it does not independently establish every historical conclusion within a production.
| MTRK reference | Role described |
|---|---|
| Madaniyat va ma’rifat | Cultural and educational subjects |
| Maqom, baxshi and handicrafts | Specific traditions named in its profile |
| O‘zbekiston tarixi | Historical programs and films |
| Samarqand or Qaraqalpaqstan listing | A separately named regional service identity |
Regional labels retain the place context
The directory includes regional names alongside central thematic services. Keep the actual regional service with the item reference. A national portal can organize both levels without making every regional output an interchangeable copy of one central channel.
Country and language reference
| Reference | Detail |
|---|---|
| Directory name | Uzbekistan |
| ISO code | UZ |
| Region | Asia |
| Capital reference | Tashkent |
| Language context (CLDR snapshot) | Uzbek, Uzbek |
A dated clock example
A program time needs a date and a named time zone. The example below converts the same fixed UTC instant into the zones recorded for this directory entry; it is an illustration rather than a live clock.
| IANA time zone | Local date and time | UTC offset |
|---|---|---|
| Asia/Samarkand | 2026-11-05 01:00:00+05:00 | +0500 |
| Asia/Tashkent | 2026-11-05 01:00:00+05:00 | +0500 |
Useful answers
Does MTRK’s directory describe only national thematic channels?
No. It lists central thematic identities and separately named regional services. The actual service name remains part of a useful reference.
Does the cultural profile establish a new production date for every recorded performance?
No. It includes a preservation purpose. The individual recording date and credits distinguish an archive work from a new production.