Comorian cinema can be approached through the work of Hachimiya Ahamada, whose films connect village life, family and the Comorian diaspora. Original producer and festival records distinguish a short fictional story from a longer personal documentary.
The production dates matter: these records describe works from 2008 and 2011, rather than a current Comorian television lineup.
At a glance
| Reference | Detail |
|---|---|
| Fiction | La Résidence Ylang-Ylang: 2008 France/Comoros 20-minute fiction |
| Original version | Comorian original version credited in the 2008 festival selection |
| Documentary | L’Ivresse d’une Oasis: 2011 documentary letter across the Comorian archipelago |
A village story is explicitly fiction
Aurora Films identifies La Résidence Ylang-Ylang as a 20-minute France/Comoros fiction from 2008. Its synopsis follows Djibril, who tends an abandoned villa while his own home is destroyed by fire. The Semaine de la Critique archive records the film in its 2008 selection and identifies a Comorian original version.
That is a compact narrative starting point for exploring a Comorian setting. The fictional character’s situation should be discussed as the film’s story, rather than presented as documentary evidence about every village. A credited original language also does not establish subtitle options for every later edition.
The documentary uses a different personal frame
Aurora’s director biography describes L’Ivresse d’une Oasis, completed in 2011, as a filmed letter to Ahamada’s father. It characterizes the 88-minute work as a documentary road movie across the Comorian archipelago.
The contrast gives a useful viewing choice: a brief village-set fiction or a longer personal journey. Look for the complete title and director when identifying an edition, since a biography can list several works with different subjects and production countries.
A filmmaker’s roots do not locate every film
The same producer biography says Ahamada’s 2024 Zanatany was filmed in Madagascar. A filmmaker’s Comorian diaspora background and a particular film’s setting are separate details. Retain the work’s own production information when exploring Comorian cinema.
Producer credits and a historical festival selection establish the identity of these works. For an offered screening or edition, use its actual date, language and access information; the old festival record supplies context rather than a new viewing appointment.
Country and language reference
| Reference | Detail |
|---|---|
| Directory name | Comoros |
| ISO code | KM |
| Region | Africa |
| Capital reference | Moroni |
| Language context (CLDR snapshot) | Arabic, zdj, wni, French |
A dated clock example
A program time needs a date and a named time zone. The example below converts the same fixed UTC instant into the zones recorded for this directory entry; it is an illustration rather than a live clock.
| IANA time zone | Local date and time | UTC offset |
|---|---|---|
| Indian/Comoro | 2026-11-04 23:00:00+03:00 | +0300 |
Useful answers
Is La Résidence Ylang-Ylang a documentary?
The producer classifies the 2008, 20-minute work as fiction. The 2011 documentary letter is a separate film.
Does every film by Hachimiya Ahamada take place in Comoros?
No. Aurora’s biography explicitly says the 2024 Zanatany was filmed in Madagascar. Use each film’s own production record.